Footnote example: Tristam Kenton, Kate Fleetwood (Medea) in 'Medea' by Euripides at Almeida Theatre. Directed by Rupert Goold, 2015, photograph, Bridgeman Education, image no. KNT3814693 [accessed 27 October 2022]. Authors:In the footnote reference, the author name should be first name followed by surname, e.g. Katharine Craik. The bibliography needs to be arranged alphabetically by author surname, so always reverse the name of the first author in the bibliography reference, e.g. Craik, Katharine. Subsequent authors should be first name followed by surname. Footnote format: Firstname Lastname, Book Title (Place of publication if available: Publisher, Year), type of ebook, p. x. Sarah A. Kelen summarizes the changes to the NAEL 's inclusions of medieval literature through successive editions, demonstrating the way the Anthology 's contents reflect contemporary scholarship. [12] Martens, Britta, ‘Dramatic Monologue, Detective Fiction, and the Search for Meaning’, Nineteenth-Century Literature, 66.2 (2011), 195-218 [accessed 19 July 2017]

In many cases the editor of the novel will have also written the introduction, so they need to be credited as both author (of the book section) and as editor (of the whole book).Firstname Lastname, Book Title, trans. by Firstname Lastname (Place of publication: Publisher, Year), p. x. If the play is anonymous (as is the case with some older plays), do not use 'Anon.' Instead start the reference with the title of the play.

In the footnote reference, the author name should be first name followed by surname, e.g. Virginia Woolf. The bibliography needs to be arranged alphabetically by author surname, so always reverse the name of the first author in the bibliography reference, e.g. Woolf, Virginia. Subsequent authors should be first name followed by surname. The ninth edition continues to be sold in the same format as the eighth edition. [3] 10th edition [ edit ] Footnote examples: Sylvia Plath, ‘Daddy’, in Collected Poems, ed. by Ted Hughes (London: Faber and Faber, 1981), pp. 222-24 (p. 222), ll. 2-4.Bibliography format:Lastname, Firstname, Book Title, ed. by Firstname Lastname (Place of publication: Publisher, Year) If you're using articles found on the database Factiva, these do not have individual URLs, so use the basic URL for the database as shown in the examples (right). Robert Pinsky once told an interviewer that the present is always overrated. This fact seems to be the greatest dilemma facing the editors of anthologies. Anthologists have the probably impossible task of selecting poems that are simultaneously of high quality, diverse, representative of a culture/language /subject, and important for the reader. The problem is that these criteria do not always overlap—in fact, they often contradict each other. I suspect that, in the midst of this confusing conflict, relevance is easily confused for importance. As a result, Shakespeare or Katherine Philips end up buried beneath an avalanche of contemporary writers.